
Max Bill
1908 – 1994
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deutsch:
Publications PDF
- Max Bill: The Early Years - an Interview by Angela Thomas
- Max Bill in Time Magazine 1974 (Robert Hughes)
deutsch:
- «crossover culture» max bill und georges vantongerloos beziehungen zu den U.S.A. (angela thomas)
- Max Bill – Kurator und Vermittler konkreter Kunst (Larissa Ullmann)
- vantongerloo, bill und abstraction création (angela thomas)
- Vortrag zur Aufstellung der Max Bill Skulptur «unendliche fläche in form einer säule»
- Max Bill und Georges Vantongerloo (Angela Thomas)
- Sonderdruck über Stahlskulpturen von element+bau 1992: Gruppe von drei Farbsäulen in Stuttgart
- artikel von angela thomas im «du» 1/87 über die wanderausstellung von max bill
- Konkrete Kunst, Helmhaus Zürich 1960 (kuratiert / Katalog von Max Bill)
- Konkrete Kunst, Kunsthalle Basel 1944 (kuratiert / Katalog von Max Bill)
- abstrakt - konkret (1944)
vom sinn der begriffe in der neuen kunst
Documents PDF
deutsch:
actual links
deutsch:
- Konkrete Kunst (Erich Schmid)
- Max Bill - das absolute Augenmass (Film von Erich Schmid)
- Praemium Imperiale
Links to specific information
deutsch:
- Zeittafel Max Bill
- Max Bills Beziehungen zu den USA
- Pavillon-Skulptur an der Zürcher Bahnhofstrasse
- Paradigmenwechsel in der Bill-Rezeption
- Der politische Bill
- Max Bill und seine Links zum Tessin
italiano:
actual links
- das absolute augenmass. ein film über max bill von erich schmid
- marta herford «ohne anfang ohne ende» eine retrospektive zum 100. geburtstag von max bill
- Praemium Imperiale
Links to specific information
1908 | Born 22 December, raised in Winterthur, Switzerland |
1923 | Schooling in Oetwil am See in Zurich |
1924-27 | Zurich School of Arts and Crafts |
1925 | Study trip to Paris (Le Corbusier, Melnikoff) |
1926 | Study trip to Italy |
1927-28 | Studies at the Bauhaus in Dessau under Albers, Kandinsky, Klee, Moholy-Nagy and Schlemmer |
1928 | Stay in Positano, Italy |
1929 | Work as a painter, sculptor, graphic designer, publicist, architect in Zurich |
1930 | Participation in the cabaret ‘Der Krater’ (the crater) |
1931 | Marriage to Binia Spoerri |
1932-36 | Membership in ‘Abstraction Création‘ in Paris |
1932 | Meets Hans Arp, first visit to Piet Mondrian |
1933 | Moves into own home in Zurich-Höngg Beginning of lifelong friendship with Georges Vantongerloo, in Paris First large sculptures |
1935 | Sculpture: ‘Die unendliche Schleife’ (endless loop); painting: ‘Quinze variations sur un même thème’ (five variations on a theme) Contact with Max Ernst and Alberto Giacometti Stay in Ticino with Aline Valangin, Max Ernst and Wladimir Vogel |
1936 | Swiss Pavilion at the Triennale di Milano, awarded the Grand Prix First version of the text ‘Konkrete Gestaltung’ (concrete design) |
1937 | Membership in the Swiss Artist’s Association ‘Allianz’ Contact with Antoine Pevsner |
1937-38 | First meeting with Marcel Duchamp, in Paris Printing of his ‘Quinze variations’ in Paris, at the same printers used by Henri Matisse Publication of text ‘Konkrete Kunst’ (concrete art), in ‘Werk’ No. 8/1938 |
1939 | Work with Hans Schmidt for the Swiss National Exhibition Holiday in Chateau de la Sarraz with Hans Curjel, Ernesto N. Rogers, Alfred Roth, Georges Vantongerloo ‘Complete Works’ vol. 3 by Le Corbusier and Pierre Jeanneret is published |
1939-45 | Repeated service in the military |
1940-44 | The Swiss state rules Max Bill a ‘left-wing extremist’ to be interned in case of war |
1940 | Publication of text ‘Paul Klee’, in ‘Werk’ No. 8/1940 |
1941 | Foundation of ‘Alliance Publishing’ Construction of a house in Bremgarten, Switzerland, using prefabricated building elements |
1942 | Birth of son, Jakob Bill |
1944 | First exhibition ‘Konkrete Kunst’ (concrete art) at Kunsthalle Basel Beginning of work in design |
1944-45 | Lecturer at the Zurich School of Arts and Crafts |
1945 | Involvement in reconstruction efforts after the World War II Contact with Adrien Turel Stay in Paris with George Vantongerloo, contact with František (Frank) Kupka First conference in Milan for reconstruction in Italy takes place |
1947 | Large version of the sculpture ‘Kontinuität’ (continuity); creates first picture column Beginning of friendship with Henry van de Velde |
1948 | First journey to Germany since 1932; meets Willi Stoph in Leipzig Guest lecturer in Darmstadt, Stuttgart; stays in Frankfurt, Munich, Ulm Lecture at the ‘Schweizerischer Werkbund (SWB)’ – Swiss federation of architects, artists and builders – in Basel: ‘Schönheit aus Funktion und als Funktion’ (beauty from function and as function), published in ‘Werk’ No. 8/1949 |
1949 | ‘Die gute Form’ (good design) exhibition at the trade fair Basel and Werkbundausstellung (exhibition of the federation of architects, artists and builders) exhibition in Cologne, subsequently as a travelling exhibition in Switzerland, Germany and Austria Kandinsky award Membership in UAM, Union des artistes moderne, Paris ‘Pevsner, Vantongerloo, Bill’ exhibition at Kunsthaus Zurich, catalogue text Meets Tomás Maldonado in Zurich Publication of monograph ‘Robert Maillart’ (Brückenbauer) |
1950 | Planning the Ulm School of Design |
1951 | Swiss Pavilion at the Triennale di Milano, again recipient of the Grand Prix (as in 1936) as well as two gold medals Collaboration with Le Corbusier, Ernesto Nathan Rogers, Georges Vantongerloo, Adrian Turel and Giuseppe Somona Solo exhibition in São Paulo (March–May); Bill does not travel to Brazil In autumn, travels to Brazil for first time, on invitation from Lina Bo Bardi and Pietro Maria Bardi Grand Prix for sculpture at the Biennale de Arte São Paulo Publication on Kandinsky |
1951-56 | Architect and rector of the Ulm School of Design |
1952-53 | New edition of book on Wassily Kandinsky Member of the Central Board of the Swiss Werkbund, SWB (until 1962) Monument ‘Denkmal für den unbekannten politischen Gefangenen’ (monument to the unknown political prisoner) entered in an international competition Second journey to Brazil, this time accompanied by Binia Bill Lectures in Rio de Janeiro and São Paulo Member of the jury for the major architecture award of São Paulo Journey to Peru, meets Josef and Anni Albers for first time in 25 years Continues journey to North America, meets Ray and Charles Eames, Philip Johnson, Antoine Pevsner, Edgar Kaufmann jun., Konrad Wachsmann, Mies van der Rohe |
1953 | Max Bill travels to Brasil in the beginning of December, as new elected member of the jury „for fine art“ of the 2. Biennial in São Paulo, taking place from December 1953 until February 1954. |
1954 | Participation in Triennale di Milano, receives gold medal |
1955 | Ulm pavilion at the National Exhibition in Stuttgart Publication on Mies van der Rohe First monograph on Max Bill published in Buenos Aires Project for a monument to Georg Büchner in Darmstadt |
1956 | Resigns as rector in Ulm, remains as a lecturer Becomes member of the German ‘Werkverbund’ (federation of architects, artists and builders) Receives design award ‘Compasso d’oro’ |
1957 | Resigns from Ulm due to differences of opinion with the foundation ‘Geschwister-Scholl-Stiftung’ (sponsor of the Ulm School of Design) Reopens Zurich studio Construction of the Cinévox in Neuhausen, Switzerland |
1958-59 | Member of BSA, association of Swiss architects Organises the exhibition ‘Swiss design’ in London |
1960 | Consultant for the national exhibition (Expo) Lausanne 1964 Exhibitions ‘Konkrete Kunst, 50 Jahre Entwicklung’ (concrete art, 50 years of progress) and ‘Dokumentation über Marcel Duchamp’ (documentation on Marcel Duchamp) Construction of Lichtdruck AG, Dielsdorf (prefabrication) Election to the Federal Arts Commission (1961-69) |
1961 | The French state buys an ‘unendliche Schleife’ (endless loop) Leading architect of section ‘pictures and design’ for the Expo 64 (Vidy theatre) Constructs a courtyard with fountain in Berlin Elected to Zurich’s city parliament Construction of office building ‘Imbau’ in Leverkusen, Germany |
1962 | Journey to Montreal Construction of radio studio in Zurich Organises the Vantongerloo exhibition in London |
1963-64 | Stage set design for ‘Oedipus’ in the theatre in Ulm Honorary member of the American Institute of Architects Journey to Saint Louis, Chicago, Montreal, London Monograph on Max Bill published in London Voted to the board of trustees of the ‘Geschwister Scholl’ foundation Expo 64 opening Sculpture in Uster ‘Rhythmus im Raum’ (rhythm in space) George Vantongerloo dies in Paris |
1965 | Construction and furnishing of a tent theatre for ‘Ubu Roi’ by Alfred Jarry Participation in the congress ‘Vision 65’ at Southern Illinois University, US Journey to Dallas Construction of the Lavina bridge in Tamins GR, Switzerland |
1966 | Journey to Chicago, Washington, Baltimore, Philadelphia, New York Extension buildings for the radio studio in Zurich Receives the award ‘International Congress of Critics and Artists’ Designs complete stage set in the state opera Hamburg, commissioned by Rolf Liebermann Sculpture ‘Familie von fünf halben Kugeln’ (family of five half spheres) for the University of Karlsruhe |
1967 | Sculpture: 14m high ‘Windsäule’ (wind column) for the Swiss pavilion at the world’s fair in Montreal Construction of his new home with integrated studio in Zumikon Appointed professor at the Academy of Fine Arts in Hamburg (until 1974) Lecture in Aspen, Colorado in the US Elected to the Swiss National Council, in Bern (until 1971) |
1968 | The city of Hamburg buys the sculpture ‘Rythmus im Raum (rhythm in space) Participation in the film ‘22 Fragen an Max Bill’ (22 questions for Max Bill) by Georg Radanowicz Presentations in London at the Institute of Contemporary Art, and in Düsseldorf Film about Max Bill by Petra Kipphoff |
1969 | Biennale Nuremberg Stay in New York Journey to Graz and Vienna Jury member of ‘Die gute Form’ (good design) of the Federal Ministry for Economic Affairs in Germany |
1970 | Co-editor of ‘Die Grossen der Weltgeschichte’ (the greats in world history) (Kindler) Journey to Tokyo with Federal Councillor Rudolf Gnägi Member of the subcommittee assisting the committee on urban planning of Jerusalem |
1971 | Member of ‘Conseil supérieur de la création esthétique industrielle’ at the French Ministry Presentation at the Mondrian-Symposium in New York Journey to London, Boston and Buffalo, New York Jury member of the international diamond jewellery competition Receives award at the biennale for sculpture in Budapest |
1972 | Member of the international jury for the Exempla-Preis, Munich Member of the Academy of Fine Arts in Berlin Journey to New York, Buffalo and Toronto Organises the Fritz Glarner exhibition at Kunsthalle Bern Stay in Cairo, Luxor and Karnak Various presentations in Germany and the US |
1973 | Journey to Stockholm Member of the Royal Academy of Science, Letters and Fine Arts of Belgium Honorary counsellor of UNESCO Stay in Rome |
1974 | Preparation for the Max Bill travelling exhibition in the US Journey to Buffalo, Washington, New York Lecture on the Almir Mavignier exhibition in Zurich Max Bill meets the student Angela Thomas in Zurich Organisation of Max Bill exhibition in Los Angeles |
1975 | Journey to LA, Mexico City, Oaxaca, Monte Alban, San Francisco, New York Lectures in Zurich, Stockholm and Rapperswil Stay in Washington and Jerusalem |
1976 | Opening speech at the exhibition of František (Frank) Kupka at Kunsthaus Zurich Max Bill exhibition in Hamburg, Berlin, Stuttgart Organisation of Max Bill exhibition in Berlin with Angela Thomas Experts conference for UNESCO in Nairobi Cooperation for the film ‘Max Bill’ by Jean-Louis Roy Lecture at the Brancusi centenary in Bucharest Bauhaus colloquium Weimar 50th anniversary of Bauhaus Dessau Planning of a studio complex for Agam Yaacov in France |
1977 | Lectures in Stuttgart and Gelsenkirchen Completion of the Radio Zurich building complex Preparations for a Max Bill exhibition in Parma, Pfäffikon, Linz and Vienna |
1978 | Installation of ‘Drei Bildsäulen’ (three picture columns) in Ulm Organises Fritz Glarner exhibition in Bottrop, Germany ‘Die unendliche Schleife’ (endless loop) installed in Essen, Germany Travel to Teheran, erection of ‘Rhythmus im Raum’ (rhythm in space) Start of planning for a pavilion sculpture on Bahnhofstrasse in Zurich |
1979 | Extension of house in Zurich-Höngg for son’s family Preparation for the travelling exhibition of Georges Vantongerloo in US Board member of the Bauhaus Archive in Berlin Exhibition in Caracas, travel to Venezuela, Mexico and US Order of Merit of the Federal Republic of Germany Awarded title ‘Dr. ing. h.c.’ from the University of Stuttgart |
1980 | Exhibition in Winterthur, Winterthur Art Prize Retrospective in Madrid and Barcelona Solo exhibition in Lugano Installation of a granite column in Geneva Organizes Georges Vantongerloo retrospective in Washington and in LA with Angela Thomas Visits Ray Eames and travels to New York with Angela Thomas Installation of a ball sculpture in St. Gallen, Switzerland Portrayed twice by Andy Warhol |
1981 | Organisation of Vantongerloo exhibition in Brussels Model of pavilion sculpture in Zurich triggers a public debate Organizes Vantongerloo exhibition in Kunsthaus Zurich with Angela Thomas Honoured with a hall in Padua |
1982 | Journey to Jerusalem for a symposium Opening ceremony for Einstein statue in Ulm Large order for ‘Kontinuität’ (continuity) issued by Deutsche Bank |
1983 | Installation of two statues, 20 and 16 meters high, in Munich Sculptures are installed in Zurich and Riehen, Basel Pavilion sculpture is erected on Bahnhofstrasse Zurich |
1984-85 | Beginning of work on ‘Kontinuität’ (continuity) in Carrara, Italy, for Deutsche Bank Journeys to Chicago, New York, Paris and Budapest Granite sculpture in Goslar, Germany |
1985 | Chairman of the Bauhaus Archive in Berlin Two sculptures in Tel Aviv Journeys to Egypt and Berlin Delivery of two sculptures in Berlin Solo exhibition in Todi, Italy ‘Spirale’ (spiral) in Dortmund Named commandeur in the ‘Ordre des Arts et des Lettres’ |
1986 | Georges Vantongerloo retrospective in Milan, Berlin, Bottrop Vice-president Academy of Arts Berlin Max Bill retrospective in Budapest, Belgrade Delivery of ‘Kontinuität’ (continuity) at the head office of Deutsche Bank in Frankfurt Sculpture in Utrecht, Netherlands |
1987 | Design of a Swiss five-franc-coin to mark 100th birthday of Le Corbusier Max Bill retrospective in Weimar, Prague, Frankfurt |
1988 | First prize in the Premio Marconi in Bologna Exhibition of graphic series in Leipzig, Bauhaus Dessau, Rostock Tributes for 80th birthday in Winterthur Lecture in Moscow, accompanied by Dr Angela Thomas Death of first wife Binia Bill-Spoerri |
1989 | Solo exhibition at Kunsthaus Zurich and Stiftung für Konstruktive und Konkrete Kunst, Zurich Max Bill poster exhibition in Zurich Retrospective at the Ulm School of Design Piepenbrock award for sculpture in Osnabrück Order for monument placed by Ernst Bloch, Ludwigshafen Three statues and plaza design in Stuttgart-Möhringen Meets American artist Keith Haring Sculpture erected in front of Winterthur Insurance building, sculpture later collapses |
1990 | Solo exhibition in Ludwigshafen Helmut Kraft award in Stuttgart |
1991 | Stage set for the play ‘Herkules und der Stall des Augias’ (Hercules and the Augean Stables) by Friedrich Dürrenmatt to commemorate 700 years of the Swiss Confederation at the Federal Palace in Bern Graphic series in Ljubljana, Slovenia Solo exhibition at Casa Rusca, Locarno, organised together with Angela Thomas Marriage to Angela Thomas |
1992 | Erection of a large sculpture in Studen near Biel-Bienne, Switzerland Installation of a granite sculpture in Zurich-Zollikon ‘Endlose Treppe’ (endless steps) bought by Swiss government for the Federal Institute of Technology in Lausanne |
1993 | Creation of Movado watch Together with Angela Thomas, received by Richard von Weizsäcker and Manfred Stolpe in Berlin Presented with the ‘Nobel Prize for Art’: the fifth Praemium Imperiale in Tokyo Construction of a large granite sculpture in Schaan, Liechtenstein |
1994 | Opening ceremony in Berlin for a multicolour pavilion sculpture made of granite Large sculpture at the European Patent Office in Munich Wooden pavilion sculpture at Deutsche Bank in Ulm Organisation of Hans Hinterreiter exhibition in Baden, Switzerland Honorary doctorate from ETH Zurich Death at airport in Berlin, on December 9 |